![]() The lesson: Find ways to describe your characters without playing into tropes or negative stereotypes. “We pan past windows, each of which contain a different story, to find Jacey Lakims, 28… hot, but doesn't know it.” ![]() A flourish here or there is fine, but try to leave the flowery prose for your next novel. The lesson: Limit your description to the things that we can see. “The hustle and bustle is a symphony of progress.” Avoid verbose descriptions that suggest little visually. I feel like, you know, we should start our stories where they begin, not start them where they get interesting.”Ģ. “I'm not a huge fan, personally, of the whole "three weeks earlier" teaser thing. Avoid framing your story as a flashback unless you have a good reason. Not bad, right? So, without further adieu, let’s dig a little deeper Morty’s encounter with the lighthouse keeper to see what screenwriting don’ts we can find.ġ. Don’t believe us? Check out his algorithm for breaking down a screenplay into eight handy steps. If there’s one thing one can say for sure about Harmon’s writing, it’s that behind all the randomness and hilarity lies a sophisticated mastery of craft. Speaking of Harmon, it just so happens that creating meta narratives that twist and turn and seemingly break every screenwriting rule in the book while still telling a coherent story is no easy task. It’s an especially meta moment – one which should come as no surprise to regular fans of show-runner Dan Harmon and his previous work on shows like Community. In the episode, the titular heroes locate a lighthouse in an attempt to set up a beacon that will send them back to earth.īefore they can do this, however, Morty must first listen to the lighthouse keeper’s tale – a story loosely resembling your average, run-of-the-mill Hollywood screenplay.įollowing the interminable script’s eventual completion, Morty unleashes a few constructive truth bombs that serve only to anger the lighthouse keeper who has the utmost faith in what he has written. Take the following clip from the second season of Rick and Morty entitled ‘Look Who’s Purging Now’. Solid, credible storytelling advice can come from the most unexpected of places.
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